News
Matthew Albanese's dioramas are featured in the Style section of The New York Times.
Donald Kuspit reviews "Depois" exhibited in early 2018 for Artforum.
Jacqueline Hassink’s exhibition Unwired, currently on view at the Nederlands Fotomuseum, takes this notion of digital abandonment a step further, by documenting so-called ‘white spots’, areas in the world without cell phone reception or Wi-Fi connection, places that allow one to really physically be offline. Hassink asks the question: “What does it feel like to live without telephone and Wi-Fi connections – to be ‘unwired’?”
Jaqueline Hassink’s ‘Unwired’ – presented as both book and exhibition – looks at the asphyxiating relationship between the human and digital worlds, confronting our addiction to mobile devices.
Inside One of America's Last Pencil Factories, a new photo essay by Christopher Payne.
Matthew Pillsbury's "Women's March, 2017" appears in The New York Times "The Year in Pictures 2017".